Emily Dickinson

 

 

 Part Four: Time and Eternity 

XXXI  

 

DEATH is a dialogue between

The spirit and the dust.

“Dissolve,” says Death.

The Spirit, “Sir,I have another trust.”

Death doubts it, argues from the ground

The Spirit turns away,

Just laying off, for evidence.

An overcoat of clay  

 

Emily Dickinson  

 

 

 

 

427

(1129)

 

 

                             Tell all the Truth but tell is slant -

 

                             Success in Circuit Lies

 

                             Too Bright for our infirm Delight

 

                             The Truth's superb surprise

 

                             As Lightning to the Children eased

 

                             With explanation kind

 

                             The Truth must dazzle gradually

 

                             Or every man be blind -

 

 

 

 

 

 

A word is dead when it is said, some say, I say it just begins to live that day.

Emily Dickinson   1830–86, American poet, b. Amherst, Mass. She is widely considered one of the greatest poets in American literature. Her unique, gemlike lyrics are distillations of profound feeling and original intellect, and they stand outside the mainstream of 19th-century American literary tradition.

 

 

Life
Dickinson spent almost all her life in her birthplace. Her father was a prominent lawyer who was active in civic affairs. His three children (Emily; a son, Austin; and another daughter, Lavinia) thus had the opportunity to meet many distinguished visitors. Emily Dickinson attended Amherst Academy irregularly for six years and Mount Holyoke Seminary for one, and in those years lived a normal life filled with friendships, parties, church, and housekeeping. Before she was 30, however, she began to withdraw from village activities and gradually ceased to leave home at all. While she corresponded with many friends, she eventually stopped seeing them. She often fled from visitors and eventually lived as a virtual recluse in her father’s house. As a mature woman, she was intense and sensitive and was exhausted by emotional contact with others.
Even before her withdrawal from the world Dickinson had been writing poetry, and her creative peak seems to have been reached in the period from 1858 to 1862. Although she was encouraged by the critic Thomas Wentworth Higginson, who never truly comprehended her genius, and Helen Hunt Jackson, who believed she was a great poet, Dickinson published only seven poems during her lifetime. Dickinson’s mode of existence, although circumscribed, was evidently satisfying, even essential, to her. After her death in 1886, Lavinia Dickinson discovered over 1,000 poems in her sister’s bureau. For too long Dickinson was treated less as a serious artist than as a romantic figure who had renounced the world after a disappointment in love. This legend, based on conjecture, distortion, and even fabrication, has been known to plague even some of her modern biographers.
Works
While Dickinson wrote love poetry that indicates a strong attachment, it has proved impossible to know the object of her feelings, or even how much was fed by her poetic imagination. The chief tension in her work comes from a different source: her inability to accept the orthodox religious faith of her day and her longing for its spiritual comfort. Immortality she called “the flood subject,” and she alternated confident statements of belief with lyrics of despairing uncertainty that were both reverent and rebellious. Her verse, noted for its aphoristic style, its wit, its delicate metrical variation and irregular rhymes, its directness of statement, and its bold and startling imagery, has won enormous acclaim and had a great influence on 20th-century poetry.
Dickinson’s posthumous fame began when Mabel Loomis Todd and Higginson edited and published two volumes of poems (1890, 1891) and some of her correspondence (2 vol., 1894). Other editions of verse followed, many of which were marred by unskillful and unnecessary editing. A definitive edition of her works did not appear until the 1950s, when T. H. Johnson published her poems (3 vol., 1955) and letters (3 vol., 1958); only then was serious study of her work possible. Dickinson scholarship was further advanced by R. W. Franklin’s variorum edition of her poetry (3 vol., 1998).
Bibliography
See also R. W. Franklin, ed., Manuscript Books of Emily Dickinson (1981) and Master Letters of Emily Dickinson (1986). Valuable biographies of Dickinson include G. F. Wicher, This Was a Poet (1938, repr. 1980); M. T. Bingham, Emily Dickinson: A Revelation (1954) and Emily Dickinson’s Home (1955, repr. 1967); J. Leyda, Years and Hours of Emily Dickinson (2 vol., 1960, repr. 1970); R. B. Sewall, The Life of Emily Dickinson (2 vol., 1974); C. G. Wolff, Emily Dickinson (1986); and A. Habegger, My Wars Are Laid Away in Books: The Life of Emily Dickinson (2001). Among the many studies of Dickinson are those by C. R. Anderson (1960), A. J. Gelpi (1965), D. J. M. Higgins (1967), W. R. Sherwood (1968), S. Wolosky (1984), B. L. St. Armand (1986), and J. Farr (1992).

 

 

 

 

 

 

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